the sopranos finale: masterful
It's been two weeks since the finale of The Sopranos and the brouhaha has nearly died down. After all that's been said, all I can add is that, in my opinion, the finale was masterful. Truly a work of art.
Open endings may not be the hottest thing in a society that craves to be beaten over the head with over-exposition (exhibit 1: most of hollywood's films). Don't get me wrong: I enjoy as much as the next guy a good ol' Die Hard or Armaggeddon, silly movies that are a good pastime.
I won't add to the countless analysis that are out there, some impossibly detailed, that indicate that, yes, Tony was indeed killed. I agree. But that's not the point. Had David Chase shown the killing, it would have had to be a complete Tarantino-style bloodbath to match the expectations around that final sequence, and it would have been completely out of place. The more muted, "just shoot the guy" would have felt disappointing (try to imagine it, it's not that hard).
So, the point? The point is that, even if Tony wasn't shot it'd still have been a good ending. Suppose he rose through the ranks to become the head of all the families? Check Phil Leotardo's fate. Or Johnny Sack's. The last two seasons of the series showed us the ending in technicolor. For these guys, criminals and sociopaths, there was no escape.
And that's what the last ten seconds of darkness were about.
With Journey still ringing in our ears, all the way.Categories: art.media
Posted by diego on June 24 2007 at 10:31 PM
Copyright © Diego Doval 2002-2011.
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